Multiple award-winning Ghanaian rapper, Samuel Adu Frimpong well-known as Medikal has expressed how he avoids conflicts and relates to other artists in the music industry.
In a recent interview on Daybreak Hitz on Hitz FM with host Andy Dosty, the ‘Sowutuom’ rapper said that he respects the fact that not everyone may be ready to work with other artists at any time. Thus, he isn’t offended if they do not collaborate with him.
“Sometimes, as artists, we may not feel like recording. Some artists may not understand this, but I do. If the artist I send my song to is not in the mood, I don’t take it personally,” he said.
He used his colleague rapper, Joey B, as an example when he collaborated with him on a song. He disclosed that Joey B did not like his first verse and asked him to do it again. However, he was not offended by this and that he even improved his verse.
“He sent me the song and I did my verse. He sent it back to me and said he didn’t like it. If I was someone who gets angry easily, I would have been upset. But I did the verse again and it was better than the first one. So sometimes we go through these things,” he said.
Veteran Ghanaian broadcaster, comedian cum actor Mikki Osei-Berko has expressed his worry about the growth of Highlife music in Ghana, which he hopes the genre doesn’t die.
According to him, highlife music is a part of Ghana’s culture, and should not be renamed Afrobeats by other people.
Speaking to Joy FM’s entertainment journalist Kwame Dadzie, Mikki argued that highlife music genre is entrenched in Ghanaian culture and e must be jealously protected.
“There is not culture without music and Ghana we have been so blessed with our kind of genre of music. Are we letting it die? Or are we letting people to re-christen it and call it Afrobeats and lose it just like that?” he said.
He cited the case of Jamaica and reggae music and called for the genre to be protected.
“I don’t think Jamaica will do that to reggae music. Ghana should stand firm with highlife music, improve it, and grow it,” he stated.
He said this during a creative arts meeting organised by the Inspector General of Police Dr. George Akuffo Dampare on October 24, 2023, at the Police Headquarters in Accra.
Highlife music is a type of music that started in Ghana in the 19th century. It has changed over time and influenced other types of music.
The emergence of new music types has reduced the prominence of the hitherto darling genre of Ghana and other parts of Africa.
However, some people who love culture think that highlife music should not be forgotten or replaced by new music.
The founder and leader of Glorious Word Power Ministry International, Reverend Prophet Isaac Owusu Bempah has opened up about his current relationship and the reason behind his decision to not honour any invitation by President Nana Addo Dankwa Akufo-Addo or visit the president at the Jubilee House.
According to him, while he holds the president and the relationship they share in high esteem, he has decided to stay away from him due to the reception he receives from persons around the president including First Lady H.E. Rebecca Akufo-Addo. His wife, the first lady began giving him some cold attitude any time he visited the President.
Speaking on Okay FM’s ‘Ade Akye Abia’ with host Kwame Nkrumah Tikese, he explained that though he is still friends with the President, he does not intend to visit the President again in his life.
“I had a very cordial relationship with the President until the first lady started giving me an attitude anytime I visited him, though I did not know what I had done to her to warrant such a cold attitude from the first lady. And I believe that you don’t over stay where you are not welcomed.”
Asked by the morning show host if he had done anything to offend the First Lady, Reverend Owusu-Bempah answered in the negative.
“I have not offended her at all. Me, Owusu-Bempah, I am not afraid of apologising when I am wrong. If there’s one thing, I am never shy of it is apologising,” he stated.
He emphasised that he played a significant role in spiritual affairs in making President Akufo-Addo attained power but has now advised himself over his relationship with the president due to persons around him.
“I have let go of everything but I am just explaining so no one goes to think that Rev. Owusu-Bempah still goes to the Jubilee House because that has brought me issues.Sometimes when he (the president) calls me and I go, people’s faces change as soon as I arrive there. They think I have too much access to him…” he stated.
The outspoken man of God who predicted President Akufo-Addo’s victory in 2016 general elections added that he has not heard from God to predict anyone’s victory in the 2024 general elections.
“I feel Ghanaians are now tired of the NDC and NPP ways of governance and will want to try a new party, but I will not want to predict any candidate. If God speaks to me about who will ever become the next president of the country, I will not hesitate to make it public,” he said.
The embattled CEO of the now-defunct gold dealership, Menzgold, Nana Appiah Mensah popularly known as NAM 1 has sued renowned broadcast journalist Bridget Otoo for defamation and is seeking GH¢1 million in damages.
Bridget Otoo has been critical of Nana Appiah Mensah, constantly accusing him of defrauding Ghanaians through his Menzgold business. In a social media post on October 21, 2023, Otoo called Mensah a “fraudster” and a “scammer.”
According to the plaintiff, Nana Appiah Mensah, in a writ of summons that has been shared widely on social media, on the 21st day of October 2023 at 7:26 am, while his criminal case was still pending before the court for hearing, Bridget Otoo, the defendant posted the following defamatory comments on her X (formerly Twitter) handle.
“In which country will a fraudster like @Nam-the-patriot be allowed to do this? This is a form of bribe for the Police who are to arrest him to distribute money on his behalf! Smh F NAM1 is a scammer #Jail him #Occupy Julorbi House”.
According to the Plaintiff (Nana Appiah Mensah), the defendant’s (Bridget Otoo) statement is understood to mean the Plaintiff (Nana Appiah Mensah) is a criminal, who makes money through deceit by scamming, the Plaintiff is a fraudster, the Plaintiff is a scammer dishonest person and deceiver of the public to make money.
The Plaintiff (Nana Appiah Mensah) says, that whether the Plaintiff is a fraudster and scammer is a matter pending before a court of competent jurisdiction yet to be decided and does not lie in the mouth of the Defendant (Bridget Otoo) to refer to the Plaintiff as a fraudster and a scammer.
The Plaintiff (Nana Appiah Mensah) says he has suffered great damage to his character and reputation by being portrayed as a fraudster and scammer in the eyes of right-thinking members of society and his business partners worldwide.
Plaintiff is therefore asking for One Million Ghana Cedis (GHC1,000,000) in damages for defamation, a perpetual injunction restraining the Defendant from publishing any further defamatory
material against Plaintiff, an order directed at Defendant to retract and render an unqualified apology to Plaintiff on the same platform, and an order to pull down any defamatory statement made against Plaintiff on her social media handles.
After a remarkable, record-breaking 2023, Taylor Swift is Apple Music’s Artist of the Year. Across the charts, streams, and concert stadiums filled with screaming, bracelet-wearing super fans, Swift undeniably reached a new realm of superstardom this year. All told, in the first 10 months of 2023, she saw 65 songs reach Apple Music’s Global Daily Top 100 — more than any other artist.
“I am so honored to be Apple Music’s Artist of the Year,” said Swift. “Thank you to every single one of you for making this year the most incredible, joyful, celebratory year ever. From streaming the music nonstop to screaming it together in real life at the shows, dancing chaotically in movie theaters, none of this would have been possible without you. Thank you so much.”
“Taylor Swift’s impact on music is absolutely undeniable — not just this record-breaking year, but throughout her entire career,” said Oliver Schusser, Apple’s vice president of Apple Music and Beats. “She is a generation-defining artist and a true change agent in the music industry, and there is no doubt that her impact and influence will be felt for years to come. We are thrilled to have the opportunity to celebrate her achievements.”
Today, Apple Music spotlights the music and moments that defined Taylor Swift’s Eras era — an event so culture-engulfing it turned songs from her past into some of the biggest of this year. Listeners can tune in to an array of radio programming celebrating Swift’s two decades’ worth of melodic album narratives, as well as interviews, album collections, and playlists that showcase the singer-songwriter’s journey leading up to this historic year.
Swift saw consistent streaming lifts throughout the year, particularly around the enormous success of Taylor Swift | The Eras Tour. The week the tour kicked off in March, Swift’s streams grew 61 percent globally. She continued to see double-digit growth in monthly streams throughout the summer. Set List: Taylor Swift’s Eras Tour was the No. 1 most-streamed set list of the year, and among the top 40 editorial playlists of the year.
Favorites like “Bad Blood,” “Blank Space,” “Style,” “Shake It Off,” “Wildest Dreams,” and “All Of The Girls You Loved Before” all reached the Apple Music charts for their first time in 2023.
“Cruel Summer,” of Swift’s 2019 album Lover, became one of the biggest songs of the summer on Apple Music worldwide. The song re-entered the Global Daily Top 100 in April for the first time in four years and has stayed there ever since.
Midnights still stands as the biggest album of all time by a female artist in Apple Music history by first-day and first-week streams worldwide.
She’s the No. 1 most-streamed female artist in Apple Music history, and is also the female artist with the most songs to reach Apple Music’s Global Daily Top 100.
As Apple Music’s Artist of the Year, Swift will also receive a physical award that represents the extraordinary craftsmanship integral to creating music. Each Apple Music Award features Apple’s custom silicon wafer suspended between a polished sheet of glass, and a machined and anodized aluminum body. In a symbolic gesture, the same chip powering the devices that put 100 million songs at listeners’ fingertips also sits at the very heart of the Apple Music Awards.
In a testament to the power of cross-cultural collaboration and appreciation, Ghanaian UK-based multi-award-winning artiste, Danny Lampo, has expressed his delight at witnessing a growing understanding and camaraderie between Ghanaian and Nigerian artistes. This sentiment highlights the dynamic nature of the African music scene and the potential for enhanced collaboration between these two vibrant musical cultures.
Lampo highlighted the essential element of Nigerian artistes – their unwavering business acumen. Nigerians, he noted, tend to approach the music industry with a strong focus on the business side of things, putting profit and success at the forefront. This approach often involves significant personal and financial sacrifices, even without a guarantee of returns. It’s a testament to their dedication and determination, which have propelled Nigeria to the forefront of the African music industry.
In contrast, Lampo lamented the hesitance of some Ghanaian artistes to take risks in the same manner. He mentioned that some Ghanaian artists are held back by fear of failure, opting not to make the bold moves that could potentially catapult them to stardom. Lampo wisely advises that one must attempt to achieve greatness, even in the face of uncertainty, as taking risks is an inherent part of the journey to success.
Lampo’s own experiences collaborating with Nigerian artistes have given him profound insights into the Nigerian music industry. These experiences have allowed him to appreciate the professionalism, dedication, and artistry of his Nigerian counterparts. They are often willing to work across borders and genres, resulting in a fusion of musical styles that enrich the global music landscape.
Danny Lampo’s positive sentiments regarding the growing understanding between Ghanaian and Nigerian artistes reflect a promising trend in the African music industry. His belief in taking calculated risks and embracing opportunities underscores the importance of transcending borders and cultural boundaries to create a vibrant, diverse, and united musical scene.
In an ever-evolving music industry, fostering such understanding and collaboration can only lead to a stronger, more globally influential African music community. The future seems bright as artists like Danny Lampo continue to bridge the gap between Ghanaian and Nigerian music, creating a harmonious and prosperous future for African music on the world stage.
Fast-rising Ghanaian rapper Kojo Lap, who recently gained recognition as the 1st Runner Up in the Onua TV Kasahare President competition, has taken a significant step in his musical career by signing a five-year record deal with BigApp Records, a prominent Sunyani-based record label. This exciting development not only marks a turning point in Kojo Lap’s career but also showcases the potential and talent within Ghana’s vibrant music industry.
Kojo Lap’s musical journey has been nothing short of remarkable. His rise to fame can be traced back to his impressive performances on Onua TV’s Kasahare President, a popular rap competition that serves as a platform for emerging rap talents in Ghana. Kojo Lap’s exceptional skills and lyrical prowess captivated audiences and judges alike, ultimately earning him the prestigious title of 1st Runner Up in the competition.
Kojo Lap’s success on Kasahare President didn’t go unnoticed. BigApp Records, a well-established record label known for nurturing and promoting local talents, recognized Kojo Lap’s potential and wasted no time in offering him a five-year record deal. This partnership signifies a significant boost to Kojo Lap’s music career, as he now has the support and resources of a reputable record label behind him.
Signing a record deal with BigApp Records opens up a world of opportunities for Kojo Lap. It provides him with the professional backing he needs to further hone his craft, create quality music, and reach a wider audience. Additionally, the mentorship and guidance from industry experts within the record label will be invaluable in helping him navigate the complexities of the music business.
With this new record deal, fans and music enthusiasts can expect to see more of Kojo Lap’s talent and creativity unleashed. He will have the platform and resources to produce music that reflects his unique style and perspective, contributing to the diversity and vibrancy of the Ghanaian music scene.
Kojo Lap’s journey from the stages of Kasahare President to signing a five-year record deal with BigApp Records is a testament to the potential and talent that exist within Ghana’s music industry. As he embarks on this new chapter in his career, music fans can look forward to more of his lyrical prowess and artistic innovation. Kojo Lap’s success story is not just his alone but also a reflection of the opportunities that emerging artists can achieve in the Ghanaian music landscape.
Popular Kumawood actor and TV presenter, Kwaku Manu, has unmasked a disturbing practice that has been going on in the Kumawood sector of the Ghanaian movie industry, involving individuals in ‘Juju’ to impede their colleagues’ advancement in the film sector.
According to him, these actors employ spiritual means to mastermind the downfall of the progress of their colleagues, thereby negatively impacting the overall production output.
Kwaku Manu made alleged “juju” activities in the industry while speaking on his Kwaku Manu Show, where he offered advice to aspiring actors, tasked them to cultivate a deep connection with their faith in God, which can serve as a protective shield against potential attacks, emphasizing the importance of dedicated worship to God as a safeguard against potential attacks from their peers.
“That is why I tell actors and actresses that if you start acting and decide to follow God, do it perfectly. We have actors, movie stars, and musicians in Ghana who are into serious juju. It is like a horse running speedily without a break,” he alleged.
“They would go to fetish priests and come and claim they are Christians. They would go to church with you on Sundays. There are actors in Kumawood who bury cows,” he continued.
“There was a guy who was trending two years ago but he is nowhere to be found today because his fame was buried. I always advise people to serve God well to avoid such attacks,” he added.
Ghanaian Afro-Dance music legend Afrikaba Delips dishes out the brand new song which he titled Dideo an twi word which literally means Enjoy.
Afrikaba Delips is an African Ghanaian, a Panafricanist, born in Kumasi. He started playing music when he was 16years old. Learning to play guitar at college, he made his first stage appearance playing the drums. Most musicians I know plays, two or three bands in Africa, playing too many bands gave him a lot of experience in live performances.
He has a recording studio in Accra, that is where he does most of his recordings at. When he left college, He then later became a self thought. If he can remember correctly 1970-1977. He started with the Road Runners band and then the Los Americanas.
He later played K. Gyasi & the Noble Kings, K. Frimpongs Cubano fiesta, City 9, Star-lite band, Gee Dees, he formed Ehurusi sounds, and later invited to Accra to play B.soyaya, and then left to Vis-à-Vis then Drew Chase Delegations. composing, arranging, engineering, managing, singing and producing.
He felt strongly at that time that he wasn’t still doing enough as a young teen with a lot of energy; either he had to start learning how to compose his own songs, or do research about African music. So he then decided to travel to other African countries and work with them and pick some of their Ideas and rhythms and style of music. The research began when he was employed to go to Togo to play with a band, while he was in Togo he met another group called [Collette Larcose] a black group lead by a white French lady who wanted a keyboard player for a West African tour.
The group was amazing they were playing their own songs and a bit of jimmy Hendrix and Carlos Santana. That was where it all started 1973. The tour began, His first performance was Togo, then Cutonoue, Niger,Bokina Faso, Mali bamako,Bobo dialasso, When h got to Ivory coast the musicians were feeling home sick, so he did couple of shows in Abidjan and parted, what a experience!.
He went back to Ghana with a whole set of musical equipment. That was when he formed Ehurusi sounds doing cover songs and his own compositions for a period of time. Then he left Ghana again with a Liberian group called the Psychedelics and went to Monrovia, left and worked with the group for one year. Afro national band came and employed him in Sierra-Leone to play with them. He worked with them for about eight months, and he had the biggest breakthrough to form and co-manage his own band in Freetown and he did it, one of the greatest bands in West Africa at that time, THE GODFATHERS BAND.
About two years with Delips & the Godfathers he was ready to record his songs, he had about three albums through the first faze of his composing research, so he told his co-management that he want to release his first album in London (U.K.) so the agreed and flew the whole entire band to U.K. to record. The did the recording, C.B.S records was interested, it was released in 1980.
He head it was No 1 in Kenya & Uganda, it was also released in Holland, Germany and Nigeria, To cut long matter short, he stayed in Freetown for another year and he was invited to Sweden to join High life orchestra and later moved to Denmark Copenhagen and formed a group there called KUTARSHI. The were only playing his own songs, so he had the opportunity to compose all the songs for the group, he did composed some nice complicated songs, which he decided to record an album, and it was a nightmare over there, so he decided to go to London and complete it, when he came to London it was worse in the African scene, most of the African musicians were part time workers so he have to change most of the songs to straight 4-4 beat before he can get musicians to work with him.
The album was released in 1984 titled DADADI boogie highlife, it was No 1 in the African charts at Sterns records. While it was in the market a management company discovered the album and got him a deal with B.B.C to do a video and a tour in the U.K and Nigeria. Misunderstanding between me and my musicians, he let go of the B.B.C offer before he got a heart attack. He took some time off and started doing sessions with other bands, he worked with Gasper Lawal for some time, supporting Peter Gabriel at Earls Court stadium that was one of the events that he will never forget, and two weeks at Ronnie Scots jazz club he can go on and on.
His achievements over the years. He came out with his own music style, (RITUAL FUTION) blending Indigenous local, ritual, and native Instruments with some modern sounds. He released a C.D. an album called (RITUAL SYNDICATE) album titled ADIKANFO means, those who have gone ahead or taken the lead, are very authentic. He will be releasing other styles of African music as well.
SANKOFA, going back to his roots, is very interesting and challenging, for Ghana is a different ball game. He is now a campaigner, composing songs for human needs, like H.I.V. aids, Human Rights. Eradicating Poverty, Greed Selfishness & Manipulation, Starvation, War & Arms struggle, Global Warming, Human trafficking, African Unity.
Palestinian-American music producer DJ Khaled has revealed that Nigerian singer Burna Boy will be featured on his upcoming 14th studio album, titled “Till Next Time”.
32-year-old ‘Last Last’ hitmaker Burna Boy is set to be the first ever Nigerian artist the American record executive, and producer DJ Khaled is collaborating.
DJ Khaled, who is also a disc jockey and radio personality, said he was inspired by Afrobeats and would like to collaborate with Grammy-winning and Oscar-nominated Nigerian singer Tems.
Speaking during an interview with Rolling Stone magazine, DJ Khaled went on to dish out exciting news about his upcoming album, where he got people all excited and super eager after he mentioned he has a collaboration with Nigerian Grammy-winning artist Burna Boy.
According to him, he feels a similar “spiritual connection” to Afrobeats as he does to dancehall music, this led him to sort out and collaborate with the ‘I Told Them’ crooner who is among the top global faces of Nigerian mainstream music.
Burna Boy, however, isn’t a newbie in the game or new to Hollywood or international collaborations. The 32-year-old has worked with several international stars such as Ed Sheeran, Future, J Balvin, J Hus, and British rapper Stormzy just to mention a few.
On his 2023 album, ‘I Told Them’ Burna Boy collaborated with legendary rap duo GZA and RZA of the Wu-Tang Clan. He also worked with 21 Savage and J Cole as he continues to build on his international success.
After the album dropped, DJ Khaled posted a video of himself listening to Burna Boy’s ‘I Told Them’ while also sharing videos of the two having dinner together on his Instagram account which sparked news of a possible collaboration and as per usual fans weren’t wrong with their speculations.
Gospel musician cum prophetess, Cecilia Marfo, has narrated how fellow artiste, Esther Smith contributed immensely to her music career at the initial stages of her life.
According to her, it took Esther Smith’s recommendation to someone who is into music when they had an encounter in London, United Kingdom (UK) for her to be supported in her bid to do music.
She noted that Esther Smith recommended her to Cebes and was later contacted, from there she started to do mainstream music because of her assistance.
Speaking in an interview with JoyPrime TV, Cecilia Marfo recounted how Esther Smith discovered and helped her to become a gospel musician.
“When things were not going well for me, I was looking for opportunities,” Cecilia Marfo said. “Esther Smith met someone by the name of Cebes in London. During their encounter, she told Cebes that she has a sister in Ghana and the way she sings shows that she has potential so he should look for her then she mentioned my name to him.”
“Beforehand, Esther Smith was someone that I admired and I used to visit her when she was in Ghana. She testified about me to Cebes and he also came to look for me. It was God who worked through Esther Smith and I am blessed to be who I am today,” she added.
Controversial crossdresser, Okuneye Idris Olarenwaju well-known as Bobrisky is on a mission to become the most beautiful woman in Nigeria as he has announced plans to undergo another surgery to enhance his body.
The transvestite made the disclosure on his official Instagram page, just a few months after he underwent a BBL surgery to enlarge his derriere.
Bobrisky declared that he is ready to risky anything, including his life, just to be the most beautiful woman Nigeria has ever seen or had.
He asserted further that the more beautiful one is, the richer the circle one rolls with and he intends to be in that circle.
His words …
“Going under another knife first week in December I’m ready to risk my life to be d most beautiful woman in Nigeria. These b.tches know I’m d real deal.
The more you look more pretty d more you get strictly rich men in ur circle. Forget what you see on the internet.. when you see me in real life you gonna scream . I’m so pretty in person with mad shape”
BBNaija Season 8 All Star winner Ilebaye Precious Odiniya popularly known as Ilebaye has caused the internet ablaze following her outfit she wore at Davido’s recent party, has sent shockwaves across the industry.
The star-studded event, which also featured the likes of Mercy Eke, Cubana Chief Priest, and many other prominent personalities, was a night to remember. However, it was Ilebaye’s outfit that truly stole the show and had everyone talking.
Ilebaye, known for her baddie style and grace, made a bold fashion statement at the event. She donned a striking ensemble that combined contemporary elegance with a touch of avant-garde. Her outfit was a unique blend of traditional and modern elements, showcasing her eclectic fashion sense.
The outfit, which featured a stunning combination of rich, earthy colors, intricate embroidery, and contemporary silhouettes, demonstrated Ilebaye’s confidence in pushing the boundaries of fashion. Her choice of attire highlighted her cultural roots while staying on-trend with the latest fashion influences. The outfit’s cultural motifs and embellishments were a testament to her pride in her heritage, which resonated with many in attendance.
As the BBNaija Season 8 winner graced the party with her presence, social media was abuzz with comments and compliments. People marveled at her choice of outfit, praising her for being a trendsetter and breaking away from conventional red carpet-attire. It’s not every day you see a reality TV star making such a bold and stylish statement at a high-profile event.
Ilebaye’s outfit choice at Davido’s party was a reminder of the evolving fashion landscape in Nigeria, where individuals are increasingly embracing their cultural roots while experimenting with contemporary fashion. Her ability to seamlessly blend traditional and modern elements is a reflection of her unique personality and style.
The evening was not only about Ilebaye’s outfit; it was a star-studded affair, with Mercy Eke, Cubana Chief Priest, and other celebrities in attendance.
Davido’s party provided a platform for Nigeria’s entertainment elite to come together and celebrate life, success, and the thriving music and fashion industry.
Ilebaye’s appearance at the event served as a testament to the influence and reach of reality TV stars, as well as their ability to make a mark in the entertainment and fashion world. Her outfit at the party undoubtedly got people talking, and it’s a testament to her impact on the fashion scene.
Watch video below;
Ilebaye's outfit at Davido's party last night has everyone buzzing and curious pic.twitter.com/UV6WbjKngo
Asante Buckman is Out with his first Album “And Then There Was B” Under a Record Label (Bmusic Entertainment).
This is an 11-Track Solid Album.
This album talks about love, life, and inspirational messages. “And Then there was B” album from Asante Buckman, which features strong artists like Sunshyn, Young Rich, Khoffy Garchy, and Lisa.
Prepare to be transported on a musical journey like no other as Ghana’s very own prodigal son, Gibrilville, returns to his roots after years of making waves in the United States.
A true son of Ghanaian soil, Gibrilville’s eclectic music reflects the incredible tapestry of cultures and lifestyles he’s experienced in his global odyssey.
While his artistry encompasses hip-hop, reggae, and dancehall, it’s his unwavering connection to the Ghanaian sound that sets him apart, infusing a flourishing afrobeat vibe into each note.
With a voice as powerful and rich as his African heritage, he’s earned the title of the “King of Melodies.”
Listeners were captivated by his emotional and soul-stirring performance in the reggae-inspired masterpiece, “Long Way.”
Now, Gibrilville is set to take the world by storm with his upcoming mixtape, “African Youth Family,” scheduled for release on November 2023.
This musical revelation promises to echo the culture, spirit, lifestyle, and beauty of Africa, a journey only a true musical visionary like Gibrilville can deliver.
A passionate musician from a young age, Gibrilville embarked on a journey from Ghana to the US in the early 2000s, where he dedicated his energy to making his music dreams come true.
Today, he stands as one of the most influential Afrobeat and hip-hop artists, captivating audiences with his fusion of Hip-Hop, Rap, and Reggae, seamlessly intertwined with English, French, and Pijin vocals.
Through his captivating lyrics and powerful beats, Gibrilville weaves the story of his life, using his music as a platform to spread the vital message of African awareness, love, and solidarity.
